I couldn’t wait… Sony α NEX-5n

I couldn’t wait for the NEX-7 so I got the NEX-5n. I was so looking forward to the 7 though. This month is going to be pretty busy. Going on vacation and soon after I’ll be hitting GDC in San Francisco. Both need a still camera and a video camera (although I’m told that we already have both, why do we need ANOTHER ONE) and my preorder for the NEX-7 wasn’t set to ship until the day I was to leave for SF. Obviously too late for either trip.

Yes I could have taken our Canon Powershot A650 and our Canon HF100 but that’s quite a few cameras to lug around everywhere. The beauty of the Sony NEX line of cameras are three-fold.

  1. The NEX cameras are capable of having nearly any lens you can throw at it with native support for the Sony Mirrorless E-Mount lenses and support for the Sony A-Mount lenses via an adapter plus a handful of thirdparty adapters that add support for a wider range of high quality third party lenses.
  2. With the introduction of the 5n and 7, Sony has introduced “highend” consumer grade HD video and standard definition video in a camera that shoots amazing, low light, high resolution stills. Essentially two great cameras in one, plus the standard def mp4 format goes straight to your blog for HTML 5 playback if you’re into that kind of thing.
  3. It’s so tiny! It’s a lot of camera for the size.
Sony Alpha NEX-5n

Sony Alpha NEX-5n

So why was I waiting for the 7 and why didn’t I just get the 5n to begin with?

If you read my NEX-7 post, you might be able to glean how enamored I was/am with it.

They’re basically the same camera, but the NEX-7 has the extra programmable dials, a built in flash and viewfinder. That all seems like stuff you need on a camera, but it turns out that you don’t really… well mostly.

I’ve sort of fallen in love with NEX-5n, but I do think a view finder would be helpful. It’s hard to focus using the LCD display in brightly lit environments, even using the Manual Focus Assist and Manual Focus Peaking Display doesn’t provide much help in a sunny day scenario.

Menus

Some features that I find I want to change most frequently are buried in software menus and its kind of hard to remember where they are in order to get to them fast. You can program 3 buttons (Soft key C center dial, Right Key right dial and Soft key B the bottom silver button)  to do what you want for the most part, but the custom settings are only available in the manual modes (P, A, S, M). This is ok, but it would be nice to be able to access to auto-focus without having to click a button, go into a menu, then go into another menu to get at it. Also, Exposure Compensation isn’t available for a custom key setting, it is 2 clicks to get to it in a menu, and however many clicks it is to find it in the item list.

Custom Key Menu

The NEX-5n has something that the NEX-7 does not… a touchscreen. Really? Sony didn’t enable a touch screen on arguably one of the best cameras to come out in this class for 2012? I find I prefer using the NEX-5n’s touchscreen at least half of the time. It might be that i don’t like hearing or feeling the click of the physical dial, or that I’ve been using touchscreen phones and tablets for so long that it has become more natural than the old school physical buttons, or that I’m inherently impatient so it is likely that I’d rather press the screen to access a menu item than spin the dial (in a direction that is at times counter intuitive) or press the dial in a direction multiple times. Whatever it is, I think leaving it off the 7 is a severe omission on the thirteen hundred and fifty dollar camera.

Focusing

I’ve read a lot of complaints about the auto-focus having a hard time in low light. I can confirm this, but it wouldn’t be that bad if the Manual Focus Assist worked while in DMF mode when the auto-focus fails. Huh? Yes, the manual focus with MF Assist does not work in DMF if the auto-focus part is failing… This happens in super low light and other random conditions, but it shouldn’t happen at all in my opinion. It’s obviously a bug, but a super bad one.

Documentation

The manual is great about labeling the features on the camera. What I mean is it does not explain the features, it just labels them. Being a noob to photography in general i’d like more explanation for the Metering Mode, AF Mode and AF Area. Just saying Metering Mode is kind of “unhelpful”.

The 5n does try to make up for this by having a severely annoying pop up explanation on every menu item. This pop up menu opens every time a setting is navigated to. If you stop on a setting a pop up menu obscures the view making it hard to remember what you landed on. The setting can be turned off as it really isn’t much more help than the label.

For Metering Mode the explanation is, “The method at which brightness is measured.” This is better than just having a label, but it does not give any further explanation for each setting available in the Metering Mode. I guess Sony thinks Google is the user’s answer here. Instead of “Read the *u*k*n* Manual, it is Search the F*c*i*g Google. This is sad as the manual is thick, but for the most part ineffectual.

Manual Controls

There are a lot of cool things about the 5n though. It will let you control the image to the point where you can find yourself fiddling with the controls more than taking pictures. You may find your subjects have moved on to something else by the time you get the settings “just right” but at that point it would be better to use the more than capable auto settings available on the camera.

White Balance

There are quite a few white balance modes in the camera, Custom, Auto White Balance or AWB, Daylight, Shade, Cloudy, Incandescent, Flourescent: Warm White, Flourescent: Cool White, Flourescent: Day White, Flourescent: Daylight, Flash, and Cool Temerature/Filter.

These are probably more white balance options than you’ll ever use, but there is one that is really cool. While in the White Balance menu, the bottom soft key turns into a white balance option button. This button allows you to change the white balance to any color you want by using a color grid.

White Balance Color Grid Option

This comes in handy if you are shooting in RAW or JPEG+RAW because the “Creative Style” and “Picture Effect” modes are unavailable in these image formats.

The Strap

Why would anyone spend time writing about the supplied strap on a camera? Well, if you are someone who likes walking around with a camera strapped around your neck, or a large, thick strap dangling out of your pocket, I could see how this is a waste of time. I for one have not used a strap of this size so it has been more harm than good.

What’s good about the strap? Well, it is comfortable strapped around your neck.

What’s bad about the strap? It’s as big as the camera. I may be exaggerating only slightly. This strap is very big, and if you put the camera in your pocket, it’ll be like putting two cameras in there. If you leave the strap dangling out of your pocket, your worst nightmare could come true at any turn.

I had the strap dangling from my pocket. It seemed o.k. for the most part until I passed by a door. The door knob decided I could pass through the door way but my camera was to stay behind. I felt my beloved NEX-5n get pulled from my pocket as I watched it swing widely in the opposite direction then swing back, smacking against the door.

With a sigh I thought to myself, “Well it was a good 2 day run. Nice while it lasted.” We proceeded to go to the mall and I’d take pictures of our daughter’s first time at the nail salon.

When we got there, the 5 wouldn’t focus. I had the 16mm pancake lens attached during the “smack down” and the thing wouldn’t focus. I thought the whole camera was wrecked but then I noticed that my hand was in focus as long as it was 3″ away from the camera. With a lot ring turning the lens started to focus again, but at this point the strap was to be no more.

I replaced the death strap with my Canon A650′s wrist strap. This is way easier to handle and I would have liked to see one included with the NEX-5n instead of the fiasco they supplied instead.

The supplied strap wouldn’t be so bad if it was easy to remove via some kind of velcro or clipping mechanism. This way you could easily detach the strap at will and put it back on when needed. I’ll be going to the local camera chain store to see if this strap even exists near me before the month of travel starts.

Band of Brothers / The Pacific (Special Edition Gift Set) [Blu-ray]

I had to take a break from Rocky and watch the Band of Brothers / The Pacific Blu-ray special edition gift set.

First off, Band of Brothers  is my absolute favorite of the two series. It seems to me a little more poetic and thoughtful. The pacing feels more intentional and dramatic. The interviews with the original veterans really make the story more real, even if it is a dramatization of the actual events.

Unfortunately, Blu-ray really shows the technical flaws in the series, which makes me feel like I uncovered a severe flaw in a lover I had never noticed before. The camera work is all over the place, and it is hard to say that it is the “style” of the production. There are moments where the image is sharp and pristine with minimal noise backed up against a noisy and sometimes soft focused cut away. There is no real consistency and the first episode is severely handicapped by what seems to be an over abundance of artificial noise applied to the overall sepia toned image. No other episode has it this bad.

It may be that I was tainted by the opening trailers for HBO films, but I don’t think the low grade, highly compressed trailer on the first disc could taint the other 4. When I popped in the first disc I had to double-check that I indeed got the Blu-ray gift set… it was that bad.

The Pacific is technically better than Band of Brothers. The colors and image quality is consistent throughout the entire set. The series goes beyond the brutality that Band of Brothers shied away from. Band of Brothers has an overarching theme of “keep what you kill” where soldiers are always on the look out for the highly coveted luger pistol. The Pacific takes this philosophy many steps beyond the bounds of morality where soldiers are found cutting teeth with gold fillings out of dead Japanese soldiers. In one episode, the character who goes by “Snafu” is shown lackadaisically throwing pebbles into the open skull of a dead Japanese machine gunner manning his weapon. The series nearly borders on having Apocalypse Now moments.

Even though The Pacific shows horrific events only dramatized in Vietnam war movies, it still doesn’t have the lasting impression that Band of Brothers has. The characters have less redeemable qualities, and the playful banter displayed in the European epic is absent in the islands of combat.

Between the two, The Pacific is the more good-looking, hardcore, psycho brother you hope doesn’t show up to any family reunions. The story is more successful at building the character of the war than the individual characters that took part in it.

Rocky: The Undisputed Collection

I got Rocky: The Undisputed Collection Blu-ray for $22.49 during the week of Black Friday on Amazon.com. I couldn’t resist, 6 movies (3 from my childhood) for 22.50? Couldn’t pass it up!

All I can say is Rocky must have been awful on VHS or even DVD. The noise and grain is NOT joking around here. It is a serious contender! That being said, it looks awesome! Rocky holds up really well on Blu-ray.

Vimeo Video School

I’ve stumbled upon a very cool site that vimeo hosts in my search to understand the mechanics of photography.

It’s called Vimeo Video School. They have a lot of great (but campy) videos discussing the basics of video and photography. If you’re a beginner like me, you’ll want to check out these mildly entertaining yet very informative videos.

Behind the Glass Part 1: An Introduction to Lenses

Behind the Glass Part 2: Focal Length

Behind the Glass Part 3: Depth of Field

 

Alpha Camera with 18-55mm lens | α NEX-7 with E-mount 18-55mm lens | NEX-7K/B | Sony USA

My current drool device is the Sony a NEX-7 camera now delayed due to the Thailand flooding that has wreaked havoc on Toyota, Sony, Nikon and other companies who have manufacturing plants located there. More info here.

Sony α NEX-7

Digital Photography Review has a great, in-depth review for the Sony a NEX-7. They give it an 81% score, which is about the highest of any “Mid-Level” camera they’ve reviewed. This is about as technical a review as you can get on the NEX-7 at the moment.

Steve Huff has a great review with some really nice sample shots and video.

The drool-able features are as follows:

  1. Interchangeable lenses supporting a range of manufacturers (with proper mount adapter)
  2. 1080 60p video (slow motion baby!)
  3. Relatively small body
  4. Programmable, tri-navi button/dial scheme
  5. Touch screen interface (kind of slow though)
  6. A whopping 24.3 megapixels (really?)
The NEX-7 has a smaller member in the family by the name of NEX-5n with virtually the same features, but it lacks the viewfinder (can be added via hot shoe adapter), a few handy physical buttons, and a flash (comes as an attachment to the hot shoe). The number 1 advantage the 5n has over the 7 is the “amazing” low light performance which ranks higher than many $1000+ cameras on the market.
Anyway, I’ve ordered it from the Sony Store. They say it may be shipping March 3rd. We’ll see!

And the Winner Is!

WordPress…

Yes, after years of fiddling with Joomla!, Drupal, MODx, I’ve finally gotten back to the old WordPress. The lastest version is just enough to make it the winner for now.

Yes, I’m a little biased as it was the “CMS” (I guess that term is up for debate regarding WordPress) I used to use when creating “self contributed content” sites for other people, but hey, do what you know right?

Anyway, hopefully i’ll get this thing going more than it has been going in the last year.